
Headquarters Reboot: Standard Architecture x Nadel
It was a tall and double-edged order for a 1979 Culver City tilt-up, erstwhile comprising a production site, dispensary, and vacant zone. Purchasing the building during Covid, Nadel, the brand merchandising and experience company founded in 1953, coincidentally in the same area of Los Angeles, initially presented two briefs to Standard Architecture. “It was to be relevant for the times,” begins Silvia Kuhl, cofounder and principal with her husband Jeffrey Allsbrook. The other key aspect, he continues, “was creating healthy offices and outdoor spaces.” Both, obviously, with roots in the pandemic, waning at design’s onset. Then, and still now, conversations veered to workplace challenges and return-to-office policies. So, the program expanded. Nadel needed to entice its 100-count staff to return full time. It also sought to show off new digs to clientele as diverse as the Chicago Cubs, Mac Cosmetics, and Google.
A prodigious amount of work was required. Especially since the “sad and dreary site,” per project architect Tracy Bremer, was devoid of customary workplace amenities. Outdoor and garden space? None. Daylight infiltration? Minimal. A cogent plan for the bi-level interior to tell Nadel’s story? Non-existent. Overarching moves, ergo, entailed creating inside-outdoor connections, reconfiguring glazing, and rebuilding the interior, including replacing the structurally unsound mezzanine with a safe counterpart.
Designing a Light-Filled, Modern Office for Nadel
Outside, Standard gave Nadel four new concrete patios, enclosing them with custom painted-steel screens, and set amid Mediterranean-esque gardens of drought-tolerant plants.
Inside, the proverbial “wow” starts at reception. With a newly glazed storefront, it boasts a substantial, upwards-reaching oak stairway, walls clad with plywood panels within a framework of engineered timber, and is one of three double-height spaces all imbued with new skylights.
So visitors could glimpse Nadel at work, Standard choreographed tight procession down a central corridor. Guests can peer into the glass-fronted conference room, stylish with a custom table fabricated by local Mash Studio, swivel chairs by Iskos-Berlin for Muuto, and suspended lighting by Peter Bristol for Juniper. Further on is the employee lounge, aka an ad hoc meeting area for creatives. The second double-height space also is a standout. Here is an elliptical form clad with 15-foot-high engineered wood slats, their upper portion a handrail for the mezzanine partially visible from below. For the lounge, Bremer designed oak benches to accompany Hlynur Atlason’s swivel chairs from Design Within Reach. The benches’ faux leather, by the way, is from newly inducted Hall of Famer Suzanne Tick’s Luum Textiles and part of Standard’s color-rebranding story for the project. An adjacent kitchen, with ash picnic tables and bar stools pulled up to a solid surface countertop, beckons before the passageway terminates in the merchandise room, its panoply of good changing according to customer.

What visitors don’t see are the mezzanine offices associated with corporate headquarters since this is command central for the entire operation. That means legal, finance, and human resources as well as dedicated workspace for website and experience departments. Out of view, too, is that driver of most businesses, sales. The team, “a happy, loud bunch,” according to Kuhl, occupies the third soaring space in a ground-floor hybrid setting combining an open workplace cum lounge and enclosed offices ringing all four sides of the perimeter. With new standards in place, Nadel reports staff back full time and business as busy. As we say, mission accomplished.
Walk Through Nadel’s Headquarters in Culver City, Los Angeles








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