{"id":237602,"date":"2024-09-19T09:53:54","date_gmt":"2024-09-19T13:53:54","guid":{"rendered":"https:\/\/interiordesign.net\/?post_type=canvasflow&p=237602"},"modified":"2024-09-19T09:53:57","modified_gmt":"2024-09-19T13:53:57","slug":"panorama-installation-by-sabine-marcelis","status":"publish","type":"id_news","link":"https:\/\/interiordesign.net\/designwire\/panorama-installation-by-sabine-marcelis\/","title":{"rendered":"See How This Ombre-Tinted Installation Uses Glass To Manipulate Space"},"content":{"rendered":"\n
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\"11-foot-tall
Panorama<\/em> by Studio Sabine Marcelis occupying the outdoor plaza at the High Museum of Art in Atlanta through December 1, consists of a quartet of nearly 11-foot-tall columns in clear and laminated mirrored glass with a color layer and an internal motor that makes them rotate, a new dimension to Sabine Marcelis\u2019s work.<\/figcaption><\/figure>\n\n\n\n
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September 19, 2024<\/p>\n\n\n

Words: <\/span>Annie Block\u00a0<\/a><\/p>\n<\/div>\n\n\n\n

See How This Ombre-Tinted Installation Uses Glass To Manipulate Space<\/h1>\n\n\n

Georgia\u2019s capital is certainly earning it\u2019s Hotlanta nickname these days\u2014and not because of the high summer temperatures. During the Atlanta Design Festival, in its 17th year, running from September 28 to October 6, the Atlanta Art Fair debuts for the first time, reflecting the city\u2019s growing status as a major creative destination.<\/p>\n\n\n\n

The current piazza exhibition at the High Museum of Art is further proof.\u00a0Panorama\u00a0<\/em>is an ombre-tinted, interactive installation of four glass pillars by Studio Sabine Marcelis, the celebrated Dutch firm that carries on the High\u2019s initiative of showcasing international artists (Tanya Agui\u00f1iga, Jaime Hayon, and Yuri Suzuki are among past contributors); it also represents the first commission by a major U.S. institution for Sabine Marcelis<\/a>, who toggles between installation, spatial, and product design\u2014and her first kinetic one. The monolithic rectangles not only reflect but also rotate, constantly changing the perspective for anyone who walks around and between them. Like all her work,\u00a0Panorama\u00a0<\/em>continues Marcelis\u2019s use of light and glass to manipulate space, as she is \u201cforever in search of magical moments in materiality and manufacturing processes to create unexpected experiences.\u201d<\/p>\n\n\n\n

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Photography by Fredrik Brauer.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Sabine
Sabine Marcelis. Photography courtesy of Studio Sabine Marcelis.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\"11-foot-tall
Panorama<\/em> by Studio Sabine Marcelis occupying the outdoor plaza at the High Museum of Art in Atlanta through December 1, consists of a quartet of nearly 11-foot-tall columns in clear and laminated mirrored glass with a color layer and an internal motor that makes them rotate, a new dimension to Sabine Marcelis\u2019s work. Photography courtesy of Studio Sabine Marcelis.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n