{"id":218611,"date":"2023-12-05T08:52:00","date_gmt":"2023-12-05T13:52:00","guid":{"rendered":"https:\/\/interiordesign.net\/?post_type=id_news&p=218611"},"modified":"2023-11-27T14:53:14","modified_gmt":"2023-11-27T19:53:14","slug":"piet-boon-celebrates-a-milestone","status":"publish","type":"id_news","link":"https:\/\/interiordesign.net\/designwire\/piet-boon-celebrates-a-milestone\/","title":{"rendered":"Piet Boon Celebrates a Professional Milestone With New Projects"},"content":{"rendered":"\n
December 5, 2023<\/p>\n\n\n
Words: <\/span>Stephen Treffinger<\/a><\/p>\n\n\n\n Photography: <\/span>courtesy of Studio Piet Boon<\/a><\/p>\n<\/div>\n\n\n\n Over the course of his four-decade career, Dutch designer Piet Boon pivoted from his early days as a building contractor\u2014realizing the creativity of others\u2014to spearheading an expansive multidisciplinary global firm. Cofounded in 1983 with his business partner, Karin Meyn, Studio Piet Boon<\/a> now encompasses over 70 people, working on projects ranging from private residences to luxury hotels for brands such as Andaz, Baccarat, Four Seasons, and the Rosewood Hotel Group. The company, headquartered just outside Amsterdam, is also a prolific furniture-design entity; recent introductions include Cara, a hospitality-focused swivel chair, and Layers, a hand-tufted rug collection for CC-Tapis.<\/p>\n\n\n\n Whether creating kitchen systems or corporate offices, Boon\u2019s work is characterized by innovation and a restrained but refined materiality. To wit: On the occasion of its 40th anniversary, the studio just published a thoughtfully curated, 500-page monograph that celebrates its poetic yet pragmatic approach\u2014exemplified by the book\u2019s cover sleeve, which cleverly (and beautifully) converts to a display stand. We chat with Boon about what makes him tick.<\/p>\n\n\n\n Piet Boon: Building projects for other architects was always a bit frustrating; sometimes their designs didn\u2019t seem so long-lasting. So, I thought to launch my own studio, which started small but grew and grew. Eventually, I sold off the contracting business and began only designing. We started with villas, first in the Netherlands and then farther afield like Bonaire. Our first big assignment abroad was in Manhattan: a 7,000-square-foot apartment on Fifth Avenue overlooking Central Park.<\/p>\n\n\n\n PB: In the beginning, I hired people who had the same mentality or skill set that I had. At a certain point, I thought, OK, but we\u2019re not growing<\/em>. Then I started hiring people who were much better than me. That helped us build a brand. It\u2019s important that Studio Piet Boon is not about me, but about the team and its spirit. If I drive into a tree tomorrow, this company has to go on, of course.rather than downtown?<\/p>\n\n\n\n PB: It\u2019s hard to have a big-enough studio in the city center. We have quite a large building, and it houses three showrooms\u2014one each for bathrooms, living rooms, and kitchens. We also have a huge materials library and all kinds of mood boards here; because PB: The owner of a New York apartment I was working on invited me to go skiing for a few days in Aspen, where he wanted to build a house. A lot of the residences there are chalets: They\u2019re huge and look like the house of Santa Claus. Whereas this client wanted a minimalistic villa\u2014ski in, ski out. We designed a freestanding box that looks beautiful year-round.<\/p>\n\n\n\n PB: Piet is a close friend and also my hero. Having him do the garden helps a house look beautiful in all weather and seasons. Landscaping is important when designing a house\u2014about 40 percent of the design\u2019s success.<\/p>\n\n\n\n PB: We only use the best materials. Wood, stone, bronze, copper\u2014they last forever and get lovelier over time, whereas cheap materials diminish after a few years. I built my Amsterdam house 22 years ago, and I haven\u2019t had to change a thing. Well, of course we\u2019ve changed the furniture because I like to live with new models to test them out. Most important is that furniture be comfortable, then beautiful, and then long-lasting.<\/p>\n\n\n\n PB: We wanted a slightly feminine shape, because many of our forms are more masculine\u2014very massive and heavy. Cara was originally conceived with four legs, but we got a lot of feedback from our hospitality clients who wanted a return-swivel base, so you can step in without having to move the entire chair.<\/p>\n\n\n\n PB: The Layers collection is about perfect imperfection. If a carpet is too perfect, you\u2019ll see every stain. We tried to achieve something more like natural stone or concrete. There is a little grading on the edges, and you can choose your own grades and colors. For us, it\u2019s always about the lines and the tranquility.<\/p>\n\n\n\nPiet Boon Celebrates a Professional Milestone With New Projects<\/h1>\n\n\n\n
Piet Boon Offers Insights into His New Design Monograph, and More<\/h2>\n<\/div>\n<\/div>\n\n\n\n
INTERIOR DESIGN: How did you shift from your early career as a contractor to designing your own projects?<\/h3>\n\n\n\n
ID: What\u2019s been your formula for growth?<\/h3>\n\n\n\n
ID: Were there advantages to locating your head\u00adquarters in Oostzaan, outside Amsterdam?<\/h3>\n\n\n\n
we have such an international team, everyone brings in new materials from abroad.<\/p>\n\n\n\nID: How did the Aspen villa you recently completed come about?<\/h3>\n\n\n\n
ID: You often collaborate with landscape designer Piet Oudolf<\/a> on residential commissions.<\/h3>\n\n\n\n
ID: Your firm is known for refined materials and timelessness. How do those two things relate?<\/h3>\n\n\n\n
ID: Was that your formula for the Cara chair?<\/h3>\n\n\n\n
ID: What sparked your new rug collaboration with Italian brand CC-Tapis?<\/h3>\n\n\n\n
ID: You\u2019ve mentioned your Kekke dining chair is based on the look of a Chanel bag?<\/h3>\n\n\n\n