Hans Wegner lounge chairs and Piero Lissoni\u2019s Mex glass coffee table join a Sanford Biggers marble bust and a Friedel Dzubas painting in P\u00e9rez\u2019s office. <\/figcaption><\/figure><\/li><\/ul><\/div><\/div><\/figure>\n\n\n\n\u201cIn addition to the building lobby and the Related offices, we also designed the elevator lobbies, the elevator cabs, restrooms, and a law firm on the fourth floor,\u201d Hertzler reports. \u201cBecause we were going to install a lot of art, we kept the materials muted and neutral.\u201d In the ground-floor lobby, for instance, she covered walls with slabs of matte porcelain that resemble marble but used scored, sandblasted gray limestone on the reception desk and other surfaces to create a softening contrast. She then added flashes of Champagne-finished stainless steel for some inimitable Miami elan.<\/p>\n\n\n\n
Even more playful is the lobby\u2019s coffered ceiling, a modernized nod to the carved-wood versions found in Coconut Grove\u2019s historic Mediterranean-style mansions. \u201cWe changed the shapes of the coffers, so they\u2019re all different,\u201d notes Hertzler, who backed each recess with a sheet of LumaFilm\u2014a flexible, paper-thin membrane incorporating tiny LEDs\u2014to provide soft, ambient light overhead. The building\u2019s mechanical systems are hidden above the glowing fabric, but the lobby\u2019s rotating display of artworks is accommodated with visible gallery-style track lights that can be refocused remotely.<\/p>\n\n\n\n
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Artworks near the base of the stair\u00adcase include Robb Pruitt\u2019s Untitled, a sculpture com\u00adprising a stack of four painted tires and, on the left, \nAi Weiwei\u2019s Dropping a Han Dynasty Urn (LEGO), a \u201cpainting\u201d composed of the interlocking plastic bricks.<\/figcaption><\/figure>\n<\/div>\n\n\n\n\n
Italian marble forms the grand staircase, which also functions as a platform for a rotating display of artworks, such as Donna Huanca\u2019s sculpture Cliona Chilenis on the left.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\nRelated\u2019s main reception area\u2014its massive stainless-steel and marble desk set off by a wall of backlit rosewood panels\u2014and executive offices occupy the top floor, while employee work spaces and facilities, including a collaborative area and a lounge, fill the floor below. \u201cThe building has an offset core,\u201d Hertzler observes, \u201cwhich would tend to make the interior of each floor quite dark.\u201d On the other hand, it allowed Arquitectonica to sink a two-story glass-enclosed atrium at the center of the headquarters. \u201cRelated has a traditional corporate culture,\u201d continues Hertzler, \u201cso we installed the usual per\u00adimeter offices, but the atrium floods the interiors with light. The transparency comes with a connectivity, because you can see people working on the other side.\u201d On both floors, she created communal spaces that take full advantage of the atrium\u2019s natural light.<\/p>\n\n\n\n
There is art everywhere, some 300 pieces that range in form from the traditional oil on canvas to every imaginable \u201calternative\u201d medium, including an Ai Weiwei \u201cpainting\u201d composed of Lego bricks. A 16-foot-long bench in reception that appears to be a cast-bronze version of a Mies van der Rohe Barcelona daybed is, in fact, a metallic-painted fiberglass-and-steel piece created by Judy Niedermaier in the 1990\u2019s for the lobby of the Mies-designed IBM building in Chicago. The bench had to be craned into place because it wouldn\u2019t fit in the freight elevator.<\/p>\n\n\n\n
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Arqui\u00adtectonica designed the eight-story, concrete-and-glass building, the top two floors of which house Related\u2019s headquarters. <\/figcaption><\/figure>\n<\/div>\n\n\n\n\n
Untitled #1 by John Castles dominates the ground-floor elevator lobby.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\nThe bench sits next to the grand Calacatta Toscana marble staircase that connects the floors and also acts as a platform for artworks, which undergo a monthly rotation. \u201cThat doesn\u2019t mean every piece is changed every month,\u201d Hertzler explains, \u201cbut a lot of the art travels and needs to be swapped out.\u201d P\u00e9rez has promised his collection to the museum that now bears his name. \u201cOne of the nicest things about the art installation is how approachable it is, even in the common areas.\u201d<\/p>\n\n\n\n
Along with their own lounge, employees get two outdoor spaces in which to relax: a courtyard terrace at the base of the atrium and an expansive Arquitectonica-designed roof garden, which includes a covered area and open zones with enviable views of Biscayne Bay. \u201cThe roof is lush and eclectic, with beautiful, old, exterior-grade furniture,\u201d Hertzler concludes. \u201cAt Related, even the seating is art.\u201d<\/p>\n\n\n\n
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The Well, a 13-foot-tall bronze sculpture by Enrique Mart\u00ednez Celaya, sits in the rooftop garden overlooking the two-story atrium. <\/figcaption><\/figure>\n<\/div>\n\n\n\n\n
David Geckeler chairs supplement a wall of built-in banquettes in the employee lounge.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n