{"id":190489,"date":"2021-12-01T16:21:56","date_gmt":"2021-12-01T21:21:56","guid":{"rendered":"https:\/\/interiordesign.net\/?post_type=id_project&p=190489"},"modified":"2023-05-31T19:20:49","modified_gmt":"2023-05-31T23:20:49","slug":"kingston-lafferty-design-infuses-a-house-in-cork-ireland-with-soothing-shades-of-green","status":"publish","type":"id_project","link":"https:\/\/interiordesign.net\/projects\/kingston-lafferty-design-infuses-a-house-in-cork-ireland-with-soothing-shades-of-green\/","title":{"rendered":"Kingston Lafferty Design Infuses a House in Cork, Ireland With Soothing Shades of Green"},"content":{"rendered":"\n
December 1, 2021<\/p>\n\n\n
Words: <\/span>Dan Rubinstein<\/a><\/p>\n\n\n\n Photography: <\/span>Ruth Maria Murphy\/Living Inside<\/a><\/p>\n<\/div>\n\n\n\n When the design history of the pandemic is written, it will be told with tales of firms completing projects without ever physically meeting clients, setting foot inside job sites before they\u2019re finished, and other protracted, unexpected developments. Lovers Walk\u2014a residence in Cork, Ireland, by Kingston Lafferty Design<\/a>\u2014is one of those stories. \u201cIt started as a small decoration job for us,\u201d founder and creative director R\u00f3is\u00edn Lafferty recounts. \u201cBut it grew legs and ended up as a substantial design project.\u201d The two-story, four-bedroom suburban house was purchased by a couple looking to return to Ireland from abroad to raise their young son. As the pandemic struck and timelines extended, the scope kept evolving to encompass every element of the house. \u201cWe had to think on our feet,\u201d Lafferty concedes.<\/p>\n\n\n\n At first, the house looked solidly built, but project collaborators Kiosk Architects discovered that the structure had major issues with energy efficiency. Original flooring needed to be removed, and the exterior required extra work to meet current standards. \u201cThe clients put a lot of trust in us,\u201d Lafferty says, \u201cwhich was bold and brave considering that we didn\u2019t meet in person until the end of construction.\u201d<\/p>\n\n\n\n The house was built in the 1940s. What attracted the homeowners\u2014and informed KLD\u2019s concept\u2014was the central staircase, part of a \u201970s addition and somewhat in that era\u2019s style. Lafferty loved its warm, almost orange-toned oak joinery, which creates a strong impression on both levels. \u201cIt\u2019s quite dominant,\u201d notes the designer, to whom the clients had first turned for her firm\u2019s signature look. The 11-year-old practice has earned a reputation for experimenting with bold swaths of solid color, mostly in paint: blood-red walls for a caf\u00e9 in London; a deep-blue theater for a corporate office in Skerries, Ireland; and, most notably, a widely published Victorian house in Dublin with blue walls, a green ceiling, and a ruby-red dining table.<\/p>\n\n\n\n The house, located on a cliff overlooking the city, is surrounded by large oak trees. \u201cWe wanted to bring in that depth of green,\u201d says Lafferty, who, along with KLD lead designer Fiona Stone, went beyond paint to inject the rooms with warmth and color that complemented the site. Hence much of the living room is wrapped in moss-green marble; forest-green heavy wool curtains hang in the child\u2019s room, which is painted a similar shade, his favorite color; and the primary bedroom\u2019s headboard wall is clad in jade porcelain tiles (by Gio Ponti, no less).<\/p>\n\n\n\n The layout of the living room, which had been fussy, was streamlined. A sofa upholstered in deep-navy velvet adds punch to the space. Similar jewel tones were chosen to balance the room\u2019s marble-rich palette, which reminded Lafferty of Ludwig Mies van der Rohe\u2019s Barcelona Pavilion. \u201cWe needed a poppiness to jar against that,\u201d she notes. Adding another layer to the mix, the clients allowed their contemporary art collection\u2014mostly playful, abstract works\u2014to be positioned throughout the house as the design best allowed. \u201cThey weren\u2019t precious about it,\u201d Lafferty reports.<\/p>\n\n\n\n To add drama to the journey from the entry hall to the kitchen and dining area, Lafferty and Stone inserted a tunnellike portal lined with red finger tiles between the spaces. The clients didn\u2019t want the kitchen to be overwhelmed with storage cabinets, so the designers kept them at base level, covering the countertops, island, and two wall-size backsplashes with pink quartzite that\u2019s \u201clike rock candy,\u201d Lafferty says\u2014a move that places added emphasis on the above-sink picture window and its view out onto nature. While Lafferty admits some might consider the rosewood-veneer cabinetry to be outdated, she relished the idea of pushing the materials so they\u2019re \u201calmost on the cusp of clashing.\u201d<\/p>\n\n\n\n Upstairs, each of the three bedrooms\u2014for the couple, their son, and guests, respectively\u2014has its own color story. Riffing off the \u201970s vibe, the guest room juxtaposes cobalt blue curtains against walls painted a buff pink called Dead Salmon; a navy shaglike carpet adds to the theme, which Lafferty describes as \u201calmost disgusting.\u201d The designers are particularly proud of the primary bedroom, \u201ca small space that needed to look sleek and effortless,\u201d Stone notes. Access is via a wide, open passageway with chevron-pattern oak flooring and three large, angled skylights set into the sloped roofline. A vanity of burgundy marble is tucked under the eaves on one side of the room; a walk-in closet and the bathroom lie behind the opposite wall, which is faced in lacquered walnut-burl veneer that abuts the green tile of the headboard wall around the corner. \u201cIt\u2019s like a jewelry box with so many materials used,\u201d Stone continues. \u201cBut it feels incredibly calm. There\u2019s almost a nostalgic air about it\u201d\u2014a verdict with which the clients agree. It seems their trust in KLD\u2019s boldly unconventional aesthetic has paid off handsomely.<\/p>\n\n\n\nKingston Lafferty Design Infuses a House in Cork, Ireland With Soothing Shades of Green<\/h1>\n\n\n\n
Project team<\/h6><\/div>\n\n\n\n
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